Live Grade On-Set Color Solutions

                                                    Typical workflow for on-set color for feature films, TV and commerc…

                                                    Typical workflow for on-set color for feature films, TV and commercials. 

biopicbjackson

The beauty of shooting digital this day in age, is the flexibility provided by today's sensors. Very few color decisions made on set are truly baked into the image. Live Grade, with the HDLink Pro, gives the flexibility to manipulate the color of an image from almost any camera and apply that manipulation in the form of an ASC-CDL, for on-set dailies and at any point in the post production process.